Space in the 20th Century Theatre: 2. Determination, Consequence and Assumption

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Radivoje Dinulović

Abstract

BACKGROUND: Interaction of literature, visual and performing arts as well as media, especially in the second half of the twentieth century, has substantially transformed the technical and artistic resources the theatre uses.

AIM: The aim of this study is to present determination, consequence and assumption as parts of Space in the 20th Century Theatre.

MATERIAL AND METHODS: Three aspects of the architecture were described in details: determination, consequence and assumption of the space in the 20th century theatre.

RESULTS: The idea of theatre is conveyed through houses, books, research documents, history and theory, but it is also conveyed through "theatre people". This concept, can be and must be understood the two ways: as a guideline for a highly heterogeneous and inarticulate "global tribe", and at the same time, as the common name for members of a particular theatre - the theatre as a troupe, or theatre as a movement, but mostly the theatre as an institution of what we often call "the theatre house".

CONCLUSION: The causal system of relationships between the theatre house, theatre people and theatre as an idea (or the idea of theatre) is the central theme of my understanding of the definitions, values and purpose of theatre.

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How to Cite
1.
Dinulović R. Space in the 20th Century Theatre: 2. Determination, Consequence and Assumption. SEE J Archit Des [Internet]. 2015 Nov. 12 [cited 2024 Apr. 16];2015:1-3. Available from: https://seejad.eu/index.php/seejad/article/view/seejad.2015.10008
Section
Articles in Architecture
Author Biography

Radivoje Dinulović, University of Novi Sad, Faculty of Technical Sciences, Chair in Art Applied to Architecture.

Dr Radivoje Dinulović (Belgrade, SFR Yugoslavia, 1957)

 

is professor of Scene and Architectural  Design, as well as Chair in Art Applied to Architecture, Technique & Design at the Faculty of Technical Sciences, University of Novi Sad, Serbia. He is professor at the Centre for Interdisciplinary Studies at the University of Arts in Belgrade, and visiting professor at the St Cyril & Methodius University in Skopje (Macedonia).

 

He was founder and director (until 2007) of Interdisciplinary DA Studies in Scene Design at theUniversityofArtsinBelgrade. Since 2011 he runs studies in Scene Design, Architecture & Technology (at the BSc, MA & PhD level) at the University of Novi Sad. He was curator of the national exhibition ofSerbiaat the PQ 2007 and National Commissioner at the PQ 2011.

 

He is author of over one hundred architectural and urban designs, mainly of performing spaces, in Serbia, Montenegro, Bosnia and Herzegovina, Macedonia, Albania and Russia and the scene designs for theatre, concerts and TV shows in Serbia, Bosnia & Herzegovina and Croatia.. He published books "Theatre – Politics – City" (with Aleksandar Brkić) and "20th Century Theatre Architecture", and more than 40 essays, studies and articles in different books and magazines.

 

His students received international awards and exhibited their work at the Venice Biennial of Architecture in 2004 and 2014, and Prague Quadrennial in 2007 and 2011.

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